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The Haunting of Drearcliff Grange School

The Haunting of Drearcliff Grange School

My new novel is due out from Titan Books in the US and the UK on October 23. Advertisements

On the web

  • I'll be at Forbidden Planet on Tuesday the 23rd, October - launching my new novel.  All welcome.
  • Here's a thing I'm appearing at ... Book here.
  • My notes on First Man. (more…)
  • My notes on the film Downsizing. (more…)
  • My notes on Down a Dark Hall, out on UK DVD October 22. (more…)
  • My notes on the rare Hammer horror comedy The Ugly Duckling (more…)
  • My notes on Goosebumps 2: Haunted Halloween  (more…)
  • I've written a piece about the lurid 1970 British thriller Assault, which is out on a lovely-looking BluRay from Network.
  • My notes on the suspense film Ride (2017), out on US VOD now. (more…)
  • My notes on Mandy. (more…)
  • My notes on the new Halloween. (more…)
  • My notes on the Dutch science fiction/action film Molly, which is out on US digital platforms and BluRay now. (more…)
  • My notes on the new horror film The ToyBox, out now on US digital platforms and DVD/BluRay. (more…)
  • My notes on the British B film Strip Tease Murder (more…)
  • My notes on the Czech fantasy comedy Kdo chce zabit Jessii? (Who Would Kill Jessie?/Who Wants to Kill Jessie?) (more…)
  • My notes on the Spanish thriller Hierro (2009).  NB: spoilers. (more…)
  • My notes on the British B picture Return of a Stranger (more…)
  • My notes on The Loved Ones (more…)
  • My notes on the Expendables series. (more…)
  • My notes on the Danny Dyer football-themed romcom The Other Half (more…)
  • My notes on Johnny English Strikes Again, which opens October 5. (more…)
  • My Empire review of the British zombie movie Redcon-1 is online.
  • The Monster - out in the UK October 6.
  • A thing I'm doing -- sponsor me for exclusive writings. (more…)
  • My notes on the lively schlock movie The Jurassic Games. (more…)
  • Out on UK DVD/digital October 1 ...
  • My notes on Where Has Poor Mickey Gone? (1964) (more…)
  • My notes on The Song of Sway Lake, out in US theatres now and VOD on September 25. (more…)
  • ... is now online, featuring Virginie Selavy, Anton Bitel and me ruminating over this year's line-up.  
  • My notes on Maximum Impact, opening in US cinemas September 28 then going to digital on October 2. (more…)
  • Out in the UK this week ...
  • My notes on The Little Stranger  (more…)
  • My notes on A Simple Favour (aka A Simple Favor) (more…)
  • My notes on The Predator. (more…)
  • I'll be joining the Anno Dracula comics gang - Paul McCaffrey, Bambos Georgiou, David Leach - at the Coventry Comic Con this weekend.  Come along and say hi.
  • My notes on the two-film Toff series. (more…)
  • My notes on the remake Superfly. (more…)
  • My notes on the 1968 giallo Omicidio per Vacazione (Deadly Inheritance) An early giallo, directed competently by the little-regarded Vittorio Sindoni, this typically twisted whodunit uses a couple of Agatha Christie tics in its solution, involving a thought-dead character who is still alive and lurking, and the reveal that two characters who seemingly don’t even know each are secret collaborators in a murder spree.  Evoking the world of Clouzot but also of those Hammer psycho-thrillers with rural French settings, this takes place in a small French town – mostly around a railway line, where a train is used as an unusual murder weapon (there may be trace elements of La Bete Humaine in here too).   An old track worker whose hearing aid malfunctions is run down by an express he can’t hear coming, and turns out to leave a substantial fortune to his three contrasting daughters – haughty loner Simone (Femi Benussi), married-to-a-thug Colette (Valeria Ciangotti) and blonde naif Rosalie (Giovanna Lenzi/Jeanette Len) – which they can only carve up in three years time when Janot (Ernesto Colli), the shambling halfit the old man adopted, turns twenty-one.  Colette’s club-owner lover Jules (Isarco Ravaioli) needs cash to pay his grasping wife (Alessandra Moravia, who gets too little to do) for a divorce, and Simone’s husband Leon (Ivo Garrani) is in debt and can’t wait to settle.  When Janot is ground up on the track, the local commissioner (Virgilio Gazzolo) calls in hardboiled cop Gerard (top-billed Tom Drake) to investigate and there’s a rash of deaths among the suspects as a subjective camera creeps up to them, they flash alarmed recognition, and later turn up dead … including one victim swatted with a golf club and another suffocated with a plastic bag in the shower.  A great deal of time is spent on a chase across picturesque local fields and waterways as a red herring does his level best to get all the crimes pinned on him, but it gets satisfyingly complicated in the home stretch as all the explanations are trotted out and the villains shown up for the horrible people they are (one has previously decapitated a whole coop full of chickens owned by some nuns) before they get their just desserts.   Mario Bava had already laid down the rules and Dario Argento was about to make his debut – Sindoni, who co-wrote with Romano Migliore (5 tombe per un medium, Operazione Paura, A doppia faccia) and Aldo Bruno, isn’t completely au fait with the style and underdirects the stalking set-pieces while indulging in perverse touches (Janot peeps at Simone in a long peek-a-poo shower) that are never more than trimmings.  It has a few other oddities – familiar bit-part creep Colli ('possessed man' in L'Antecristo) was 28 at the time and looks older, but the plot depends on his character being eighteen, and the gendarme extras look weirdly uncomfortable with their ill-fitting uniforms,white belts, truncheons and sub-machine guns.  Drake, whose Hollywood career extended from Meet Me in St Louis to The Spectre of Edgar Allan Poe, just shuffles through his tough flic role, very strangely cast since there were any number of name Franco-Italians who could have carried this – though some skimpy set-ups suggest a penny-pinched budget.  It does have a decent giallo score by Stefano Torossi, with the requisite warbling ululations for the menace and murder scenes and some psychedelic freak-outery for a visit to Jules’ disco.  Also known as L’assassino ha le mani pulite (The Killer Has Clean Hands).   Here's the funky main title.
  • My notes on the Burt Reynolds vehicle The Last Movie Star, now out on UK digital platforms. (more…)
  • My Empire review of The Nun is online.
  • Available digitally in the UK September 7; on DVD October 1.
  • My notes on the horror film Mara, due out in the US on September 7. (more…)
  • My notes on Final Score, out in the UK on September 7. (more…)
  • My notes on American Animals (2018), out in UK cinemas this week. (more…)
  • My notes on the Asylum's latest shark catch - Megalodon, 5-Headed Shark Attack and The Last Sharknado. (more…)
  • My notes on Don’t Hang Up (more…)
  • My notes on the horror film Boarding School, out now in US cinemas and digital platforms. (more…)
  • My notes on Book of Monsters (more…)
  • My notes on The Golem (2018) (more…)
  • My notes on La femme la plus assassinée du monde (The Most Assassinated Woman in the World) (more…)

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