An alien lifeform comes to Earth in the form of oily black goo – an image that’s been seen a lot since The X-Files – and happens upon a discarded mag which features porn star Julianna Fox (Lauren Ashley Carter) on the cover. The alien goo takes on Fox’s look, and outfit, and wanders weirdly through the desert, falling in with Iranian-American siblings Saghi (Neimah Djourabchi) and Khahar (Sanam Erfani), from whom she learns Farsi and the rudiments of acting like a human being. Meanwhile, in a parallel thread, the actual Julianna Fox (Carter again) is feeling scarcely less alienated from her life of mundane sex shoots, drug-dealing and lesbian pick-ups … but runs into an old music teacher (Catherine Mary Stewart, of Night of the Comet) who encourages her to audition for a conservatory place, though she hasn’t played the piano in a while and might well have drifted too far into her current headspace to get her skills back.
Carter has a very interesting fringe genre filmography – Jug Face, Bereavement, Pod, The Mind’s Eye and Darling – and here manages two unusual, nuanced performances, with the alien and the porn star on a course that will inevitably lead to a confrontation and perhaps a merger. The Julianna sections have a lot of wry comedy about the post-Boogie Nights drudgery of the porn business – she seems to be endlessly filming one cheerleader role – while the alien strand comes at the outsider/immigrant/refugee theme from an unusual angle. It’s not a conventional film in any of the genres it touches on, but it is an ambitious and often seductive experience.
Out in the US from Epic Pictures.